阿辛从小就和辛苦抚养他长大的单亲妈妈相依为命，并且从他妈妈身上学到坚定不移的正面人生价值观。故事带领观众跟阿拉辛踏上一场关于爱、纯真与命运的人生旅程，并且见证他努力克服人生各种难关的过程。他在坎坷的人生道路上掳获许多人的心，并且提醒了我们，每一个人，就算是最不起眼的平凡小人物，也有属于自己的伟大故事。
一伙年轻盗贼(西恩威廉史考特等)举办了一场疯狂的摇头派对掩人耳目，他们计划暗中窃入隔壁的银行盗取现款……由于音波互相干扰，警铃声响将被抵销…… 班被债主迫得走投无路，决定与几名友人爆窃银行。他们开了场疯狂的摇头派对掩人耳目，然后溜进隔壁的银行偷窃，利用音波互相干扰来抵销警铃声响。怎料波折重重，这群笨贼屡次失手，国际刑警突然出现，死对头又走来搞破坏……
该片讲述华安李氏家族代表李怀谷想在自己临终之前将自家世代相传的祖传之宝——九龙大盘"无偿地捐献给关中博物馆,这决定得到一儿子李峰的支特,但遭到大儿子李传说的反对,—触即发的较量即将上演,智谋加勇斗,究竞孰赢孰负?
传闻，几十年前外星人曾开着飞船造访过下井沟，还留下了一样宝物。但如今的下井沟只是个平凡的东北小村庄，这扯淡的传闻压根儿没人信。 王永旺已经去世的爷爷就是传闻中的男主角，然而现实里，他只是个平凡且窝囊的大龄穷屌丝。喜欢村里的漂亮小寡妇，可他却掏不出人家要求的十万彩礼钱 。与此同时，还假扮成港商的老混子李富贵也盯上了下沟村。他谋划了一场集资的骗局，目标就是朴实村民兜里的那点钱。 然而这一天，外星人真的来了！村庄原本平静的生活彻底被打破......
大老板李成功（徐峥 饰）遇上挤奶工牛耿（王宝强 饰）之后，旅途便频出状况。被情人逼迫回长沙老家跟老婆摊牌的李成功，机场遭遇到前往长沙讨债的乌鸦嘴牛耿。牛耿人如其名，不但耿直憨厚，而且透出一股傻气。先是登机前安检一口气喝完一大罐牛奶，后来又飞机上让乘务员开窗，好不容易折腾到飞机到达长沙上空，结果让他咒得因长沙大雪飞机被迫返航。无奈挤上火车硬座车厢的李成功刚松了一口气，却又一次在人群中看到牛耿。牛耿就像李成功生命中的瘟神一样，只要他“金口一开”，便会出现如他所言的意外。由于途中的频频意外，两人从火车换乘巴士，又从巴士爬上拖拉机。尽管牛耿的乌鸦嘴让李成功吃尽苦头，但这个混身透着傻气的青年却用自己真诚与乐观感染着李成功。一路的颠簸之后，两人最终到达长沙又回到各自的生活轨迹中去，然而旅途中所遭遇的种种却影响着两人之后的生活…… 本片由香港资深电影人文隽担当监制。
片山辉彦（山田孝之 饰），男，29岁，赤富士药品公司王牌销售员。某天他意外晕倒，醒来后因头部受到冲击而出现暂时性的失忆症，他的包中藏有一枚戒指，但是究竟这是要送给谁的却毫无头绪。与此同时，三个背景和性格完全不同的女性交替出现在片山的身边，分别是同公司的前辈美貌和才华兼备的住友智惠（小西真奈美 饰）、开朗乐观的风俗店巨乳娘潮崎惠（真木阳子 饰）以及在公园表演傀儡戏经常伤痕累累的铃木和歌子（池胁千鹤 饰）。似乎片山一直在与她们同时交往，随着戒指争夺战的升级，片山也渐渐被带回失忆前的原点…… 本片根据芥川奖获奖作家伊藤たかみ的同名小说改编。
本片以轻松的风格，描述60年代英国作家Joe Orton璀璨而短暂的一生。这名出身寒微的穷小子，以蔑视一切既定规律的作风，摇身一变成新浪潮文化红人，可惜一段不伦之恋，却令这个神话终结
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
26岁的克洛伊（梅拉尼·罗兰 Melanie Laurent 饰）至今单身，她独自一人生活在繁华而又冷漠的巴黎，遇人不淑的她似乎总被令她抓狂的怪人所包围着，过去不堪回首，未来又无从幻想，日子过得乏善可陈。但这一切都在她误拿了一只行李箱的那一天发生了改变。 行李箱的主人是一个叫做杰克（贾斯汀·巴萨 Justin Bartha 饰）的男子，30岁，刚刚和女友分手，本以为生命行至低谷的他却幸运的中奖得到了来巴黎旅游的机会，但好运没有持续多久，刚刚到巴黎，他就丢了行李箱，而行李箱之中，装着杰克父亲留给杰克的珍贵的宝物。一只行李箱将这两个失意的男女联系到了一起，行李箱之中的宝物让克洛伊坚信杰克就是她今生等待的那个人，为了找到杰克，她愿付出一切代价。
中国第一部反应农村循环经济的电影。 《喜临门》讲述了东北农村三个家庭之间的故事。当铺屯的曹老倔家养鹿，刘兴旺家种菜，孙巧巧家开旅馆。但曹老倔家的鹿经常踩了刘家的菜，又到孙家旅馆跟前随地“大小便”，导致三家产生矛盾。偶然路过当铺屯的“海归”农业博士罗晓飞阴错阳差被卷进矛盾当中，最终他用科学知识引导大家发展绿色循环经济，让彼此的事业互相支撑，一块发家致富。 以铁岭某村的新变化为切入点，展示经过改革开放30年后，东北社会主义新农村的科技兴农、环保兴农的美好、繁荣景象。
以女孩阿尔菲为原型，该片讲述的是17岁的乔安娜的故事，她个性、时髦，决心在伦敦的花花世界里做一个感受新生活的艺术生。吉妮维夫·怀特倾情出演了该片。片中有激情的游戏、也有多彩的黄粱一梦，还有跟温文尔雅的皮特·桑德森（唐纳尔德·萨瑟兰德精彩演绎）突发奇想的摩洛哥之旅。而当乔安娜爱上戈登之后，也是在塞拉利昂，她的生活才真正变得完整。
在妈妈出国期间，一名18 岁的女孩从她一直生活的嬉皮士社区偷溜到了现实世界，寻找自己的生父。
港岛东区警署刑事侦缉组由Madam雷（刘嘉玲饰）率领，全组皆是女警，所以有“靓女差馆”之称。另一警局的警员生啤（陈奕迅饰）和沙爹（林晓峰饰）在一次行动中，得由Madam雷率领的众靓女CID帮忙而保存性命，对众美女一见难忘，两遂主动申请调职，走后门调到靓女差馆，以接近众女警并展开追求。 生、沙二人身处美女群中，本应十分过瘾，可惜就在他俩加入之时，爆破专家火牛以炸弹恐吓靓女差馆，生、沙二人险丧命，警署上下全体陷入炸弹夺命危机，众靓女CID全力追缉炸弹狂徒……最后靓女CID得到前军火专家博士（王晶饰）的帮助，得以化险为夷，生、沙也在危难中始知自己最爱是谁，决顶改变追女习惯，并成功解救富豪被掳案件......
