989
3.0

偷听女人心

导演:
南希·迈耶斯
主演:
梅尔·吉布森,海伦·亨特,玛丽莎·托梅,阿伦·阿尔达,艾什莉·约翰逊,马克·费厄斯坦,罗伦·荷莉,德尔塔·伯克,瓦莱丽·佩莱恩,朱迪·格雷尔,莎拉·保罗森,安娜·盖斯泰尔,丽莎·艾德尔斯汀,洛雷塔·迪瓦恩,戴安娜·玛丽亚·里瓦,艾里克·巴弗尔,乔·佩特卡,科布恩·格罗斯,凯瑟琳·米德尔顿,罗根·勒曼,亚力桑德拉·李,T·J·塞恩,奥德丽·瓦西莱夫斯基,安吉拉·吴,罗伯特·布里斯科·伊万斯,凯蒂·尼兰,凯里 哈森,布洛克·艾略特,丽莎·隆恩,克瑞丝汀·罗丝,阿尔登·马林,雷切尔·邓肯,亚历克斯·麦肯纳,特蕾
别名:
未知
3.0
989人评分
英语
语言
未知
上映时间
未知
片长
简介:

  尼克(梅尔·吉布森 Mel Gibson 饰)是芝加哥一间广告公司的小经理,是个典型的大男子主义者。对于新来的女人上司达西(海伦·亨特 Helen Hunt 饰),他更是满腹牢骚。达西要求尼克设计出女性用品的创意广告,令达西分外头痛,一不留神,尼克在自家浴室中触了电,这次事故让他获得了一个神奇的本领——读心术。
  有了这个意外的收获,尼克现在就能轻而易举的知道身边女人们的心事。他渐渐的沉迷于此,并惊奇地发现原来达西一直都对自己有好感。于是,尼克决定将计就计,利用达西的心事好好捉弄她一番,他千方百计接近达西,讨她欢心,却不知自己正在堕入情网。自从得知女人的内心世界,这个大男人终于领悟到她们的美丽,和水火不容的女上司共赴爱海。

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简介:

  Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
  By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
  Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
  One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
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