好警察坏警察2

　　私家侦探史燕德，其侦探社门堪罗雀，惟有兼职各行各业。一日，实雄电影公司请来大批临时演员拍片，史是其中之一。岂料女秘书错把史之名字误置于锺老闆的嘉宾名单之内。锺在豪华别墅举行气派不凡的酒会，史溷集在宾客群中闹出不少笑话。锺展示其近购之唐朝御用宝物 - 宝石尿壶，以炫耀家财。其太太安娜与武术指导刘家班，早已佈置好一个夺宝阴谋，却被煳涂的史破坏了计划。安娜迁怒于史，故用诡计聘请史调查夺宝主使之人，再乘机除之。相反锺却怀疑安娜与史有不寻常关係，製造机会来对付二人。此次意外也引起了保险公司的关注，特派女调查员May溷入当演员，史与May日夕相对，有如一双情侣。锺和安娜分别聘请杀手对史下毒手，史却不知生命危在旦夕......

　　陆地兵营的Ken和罗邦改为到蛙人海军处报到，以及他们在训练时遇上了香港移民过来的黑社会石黑龙（黄恺杰饰）以及人称天下第二的蛙人教官（张智扬饰）所发生的故事。

　　在亚当（阿什顿•库奇 Ashton Kutcher 饰）的成长经历中，艾玛（娜塔丽•波特曼 Natalie Portman 饰）总是时不时的出现，所以两个人可以算是朋友。一次，亚当探望自己明星父亲时发现，父亲居然和自己的前女友同居了，这让亚当无论如何也不能接受，在遭遇情感的重创之后，亚当决定要随便找一个女性朋友上床发泻抑郁。宿醉的亚当醒来之后，发现自己居然裸着身体在艾玛家里，在达成“只谈性不谈爱”的协议之后，两人便开始时不时的幽会。随着时间的推移，亚当发现自己似乎对身边这个特立独行的女孩动了心，但是艾玛却表示不能接受亚当的爱意，所以他们最终决定结束这种关系。但是，分手之后二人才发现，他们早已习惯了彼此……

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　導演陳家蓀拍過極受歡迎的音樂喜劇電視節目，他第一部電影《摩登土佬》，是引證香港電影進入現代化的重要作品，找來初登銀幕的林子祥主演、台灣女歌手齊豫客串。故事講述青年貝小芬（林子祥）暑假無聊，與好友漢堡飽（麥德羅）四處求職，結果被廣告公司史蓮娜（井莉）看中，邀拍廣告，本來是個大展才華的好機會，豈料得罪惡人「鋼牙」，拍攝打鬥場面時，借機毒打他……劇情左拼右湊，笑料連場。導演以廣告手法拍攝歌舞場面，從美術到音樂，皆令人耳目一新。

　　本片改编自一个古典的捷克传说：一个钟表匠杰米和他那爱嫉妒的朋友——一只调皮的山羊的故事。他们俩冒险去救布拉格的巨大时钟和杰米的爱人，她被一股试图阻止钟表成形的邪恶力量所控制。

　　曾经不可一世的厨神王金银（白云峰 饰）在比赛中遭遇意外，武功尽失，一觉醒来竟发现自己衣衫不整，身无分文被当作快递寄到了陌生的凤城菜市场，更被美女老板阿珍（萌小叶 饰）误当变态扭送警局。两人不打不相识，善良的阿珍收留了无家可归的王金银。王金银开始了在阿珍私房菜馆啼笑皆非的卖身打工日子。但神秘势力接踵登场，阿珍的酒鬼养父，对阿珍势在必得的大头斌，神龙见首不见尾的陈大师，还有王金银的宿敌小林三郎…各人心怀鬼胎，齐聚凤城，即将在这厨师之乡掀起一场更大的大风暴……阿珍和王金银能否携手战胜对手，破解阴谋？

　　城市大龄女孩躺躺爱上了快递员久小七, 正当他们打算步入婚姻殿堂时遭到了女方母亲薛婶的反对, 薛婶用房子作为条件逼久小七放弃自己女儿. 一对新人和薛婶玩起了各类战术. 薛婶无奈只能设局考验这个准“女婿”, 没想到久小七却没有按照薛婶的剧本走. 最终他没有买房, 没有彩礼便成功迎娶了躺躺……

　　凯特（波茜娅·道布尔戴 Portia Doubleday 饰）是一个非常平凡的女生，梦想着能够成为一名职业服装设计师。可是入行了一段时间后凯特渐渐发现，只凭借自己目前的名气是永远都无法出人头地的，无奈之下，她只得加入了继母爱丽丝（罗伦·荷莉 Lauren Holly 饰）所开设的服装公司，开始了寄人篱下的生活。
　　和凯特一起工作的，还有凯特的两个义姐塔尼斯（娜塔莉·科瑞尔 Natalie Krill 饰）以及西蒙尼（安娜·霍普金斯 Anna Hopkins 饰），本来就对妹妹看不顺眼的姐姐们自然不会给凯特什么好果子吃。一次偶然中，凯特发现姐姐们竟然抄袭别人的设计，东窗事发之后公司的声誉一落千丈，濒临破产的边缘。

　　史提迪是一个热爱棒球的人，他甚至疯狂到没有一个正当的工作，唯独能和棒球相提并论的只有他的女友，珍。与珍相处过后他非常想要娶她为妻，但必须先要有份正当的工作，更重要的是因为铁路公司想私下低价收购祖父的包柏马车公司，她希望能确定她祖父的马车事业能被保住。史提迪想尽办法组织邻居、老朋友甚至流浪狗，用尽所有方式阻挠他们的计划。

　　骗子离开大卫破产,失业& -他的女朋友。所以他开始找到骗子但是复仇并不是在他的脑海中。

　　两个情同手足的少年，在这座城市一起长大。因为宿命使然，他们分道扬镳，其中一个要去外面闯荡，另一个则选择留下，于是在出发前晚，两人相聚一个小餐馆，约定二十年后的同一日期、同一时间，来到这里再次相会。 二十年后，桑晓遍体鳞伤的回到了原地，却发现小餐馆已经变成了十字路口，他在那里等了许久，遇到一个等夜班车的男子，两人聊起了二十年前的那个约定，让桑晓没有想到的是，这个男子就是约定好二十年后跟他再见的苏强。而更令人想不到的是，二十年的岁月磨洗，已经让桑晓变成了一个恶行昭彰的通缉犯，而苏强却成了一个正义无私的警察。兄弟二人重逢在十字路口，再次面临宿命的选择。