在池中

　　凯特（艾米莉亚·克拉克 Emilia Clarke 饰）是一个非常平凡的女人，每天都过着浑浑噩噩的日子，她的个性和一连串错误的选择导致她如今只能在一家全年无休的商店里当店员。无家可归的凯特借住在朋友家里的沙发上，虽然凯特有一位很爱她的母亲阿黛拉（艾玛·汤普森 Emma Thompson 饰），但凯特却因为某些心结而拒绝回家和母亲同住。
　　某日，一位名叫汤姆（亨利·戈尔丁 Henry Golding 饰）的男子出现在了凯特的面前，成为了照亮她前路的明灯，汤姆的出现让凯特开始意识到自己的人生或多或少出现了问题，在汤姆的帮助之下，她开始正视自己和母亲之间的矛盾，并且开始一步一步的纠正自己错位的人生。

　　本片在2025年圣丹斯电影节一举拿下世界剧情片竞赛单元评审团特别奖（创作视野）和观众奖两项大奖。马其顿偏远村庄的15岁的牧羊少年沉醉于音乐世界，但在传统社会规则下，他必须面对来自周遭环境与父亲的质疑。某日放羊途中，他偶遇了一场大型的电子舞会，邂逅令他心动的女孩……导演乔治·M·温科夫斯基的长片首作试图探索集体期望与自我表达之间的微妙平衡。片中鲜活的色彩、诙谐的桥段、惹人怜爱的角色和韵律十足的音乐，为这个成长故事注入勃勃生命力。影片温柔且有力地回答了艺术如何成为精神避难所，又如何变为成长催化剂。

　　An obsessively punctual comprehensive school headmaster sets out to give an important speech at the annual Headmasters' Conference.

　　以泰州市公安局海陵分局城中派出所为原型，故事讲述刚从警校毕业的张晓鸥分配到城中派出所做片儿警，被安排给社区修路和走访4000多户居民，并在所长的帮助下克服了自身问题毛病，从而成长为一名真的社区民警。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　菲尔（阿伦·瑞克曼 Alan Rickman 饰）是一名发型设计师，他和妻子莎莉（娜塔莎·理查德森 Natasha Richardson 饰）经营着一家美发店，是圈内人人羡慕的神仙眷侣。令众人大跌眼镜的是，莎莉竟然离开了菲尔，不仅如此，她也开了一家美发店，成为了菲尔的竞争对手。遭遇妻子背叛的菲尔一蹶不振，在日复一日的消沉中，他逐渐忘却了自己的梦想。
　　一次偶然中，菲尔得知自己所在的小镇上即将举行一场全国性的美发大奖赛，经过反复的思想斗争后，他决定重拾梦想，再次走上赛场。同样参赛的还有莎莉和菲尔的老对手雷（比尔·奈伊 Bill Nighy 饰）。在目睹了同行是怎样不择手段的向着冠军宝座迈进后，菲尔和莎莉明白，为了赢得比赛，为了维护行业的声誉和荣耀，他们必须像从前那样，联手作战。

　　卡拉在农村被称为“卡拉疯子”是由宋旭。业务是缓慢的，当唱卡拉OK唱旭岗位工作来促进销售，在20年初的一个女孩，河清的来临。她是个绝望的游戏迷，但很快她就开始使用一种特殊的策略来吸引顾客。然后那局，专业唱歌的助手坚持帮助她就像一个救世主，把悲惨的地方与她活泼的性格。就在他们准备走出阴影，他们也不知道在松镇的一个连环杀手在卡拉的东西后

　　这名小镇魔术师对足球毫无兴趣，但要想迎娶一生挚爱，他必须先带领当地球队闯进决赛。

　　骗子离开大卫破产,失业& -他的女朋友。所以他开始找到骗子但是复仇并不是在他的脑海中。

　　两个情同手足的少年，在这座城市一起长大。因为宿命使然，他们分道扬镳，其中一个要去外面闯荡，另一个则选择留下，于是在出发前晚，两人相聚一个小餐馆，约定二十年后的同一日期、同一时间，来到这里再次相会。 二十年后，桑晓遍体鳞伤的回到了原地，却发现小餐馆已经变成了十字路口，他在那里等了许久，遇到一个等夜班车的男子，两人聊起了二十年前的那个约定，让桑晓没有想到的是，这个男子就是约定好二十年后跟他再见的苏强。而更令人想不到的是，二十年的岁月磨洗，已经让桑晓变成了一个恶行昭彰的通缉犯，而苏强却成了一个正义无私的警察。兄弟二人重逢在十字路口，再次面临宿命的选择。

　　新新人类足球队、另类作风酷教练！柴斯特奉老板之命，当由员工女儿组成的少女足球队的教练，为了使原本球技奇差 无比的球队成为明星队，以讨好老板，他不惜利用女友的儿子，把他乔装成女生混入球队，然而，足球队尚未赢得比赛，却已闹出笑话一箩筐。

　　千术高手钱文迪（刘德华 饰）与女友莉莉（钟丽缇 饰）、好友“金手指”阿智配合，在赌局中赢得富豪刘耀祖六百万港币。发现自己被骗的刘耀祖怒不可遏，绑架阿智要挟文迪为其入狱，以便从犯人鲁宾孙（关海山 饰）手中拿回刘的三亿财产。文迪担心好友安危只得服从，入狱执行任务，进入了冤家——狱警杀手雄（梁家辉 饰）的势力范围。
　　文迪在狱中凭借过人手段很快站稳脚跟，甚至连杀手雄也一并收服。随着文迪与鲁宾孙接触日深，他发现鲁宾孙居然是刘耀祖岳父。原来刘耀祖觊觎鲁宾孙财产多时，为此不惜将妻子杀害，鲁宾孙替女儿报仇反遭陷害，落得在牢中晚景凄凉。正义感勃发的文迪决定帮鲁宾孙讨回公道，遂联合杀手雄夺取刘耀祖的不义之财……