克莱尔(米歇尔·菲佛 饰)组织了一次特别的圣诞郊游活动,而她的家人却在忙碌中将她遗忘。当他们意识到错误时,她已经失踪了。他们的圣诞节岌岌可危,但克莱尔另有打算。
美丽的欧洲公主前往美国纽约,寻找到她六年前爱上的报纸专栏作家。在豪华的纽约酒店,她被一位善良的服务员误认为是女仆。酒店的行李员在遇到这名欧洲公主后也开始忽视他的女朋友。
拉杰(阿克谢·库玛尔 Akshay Kumar 饰)是一名替身演员,在一场婚礼中,他结识了名为辛姆丽塔(卡琳娜·卡普尔 Kareena Kapoor 饰)的外科医生,虽然两人的爱情观出奇的一致,那就是不相信这个世界上有真爱存在,但他们的个性实在是大相径庭,每一次见面都惹出一连串的误会和麻烦。 某日,拉杰在工作中受了伤,而治疗他的主治医生恰恰就是辛姆丽塔,而在手术的过程中,辛姆丽塔竟然将手表挂坠落在了拉杰的肚子里。无奈之下,辛姆丽塔只得假装接近拉杰,向他大献殷勤,以掩饰自己的失物。在此过程中,两人竟然假戏真做,彼此之间产生了真挚的感情,成就了一段佳话良缘。
在亚当(阿什顿•库奇 Ashton Kutcher 饰)的成长经历中,艾玛(娜塔丽•波特曼 Natalie Portman 饰)总是时不时的出现,所以两个人可以算是朋友。一次,亚当探望自己明星父亲时发现,父亲居然和自己的前女友同居了,这让亚当无论如何也不能接受,在遭遇情感的重创之后,亚当决定要随便找一个女性朋友上床发泻抑郁。宿醉的亚当醒来之后,发现自己居然裸着身体在艾玛家里,在达成“只谈性不谈爱”的协议之后,两人便开始时不时的幽会。随着时间的推移,亚当发现自己似乎对身边这个特立独行的女孩动了心,但是艾玛却表示不能接受亚当的爱意,所以他们最终决定结束这种关系。但是,分手之后二人才发现,他们早已习惯了彼此……
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
大学毕业赋闲在家的陈家乐,去面试了村里拍戏的剧组群演一职,幻想能成为大明星。片场中由于导演与制片人不和而发生争斗,混乱中意外将祠堂的丽妃雕像撞破,漏出了里面埋藏千年的金银财宝和一份丽妃美容秘方。外出务工的年轻人纷纷回村要分钱,原本人之罕至的村子热闹了起来。村子组织村民把财宝保护起来,坚决交给国家做研考。不料村霸李富和化妆品公司老总lisa想要得到秘方为公司谋财;制片人想得到财宝为电影投资拍摄;家乐需要钱为他母亲治病。一场三路人马、各怀鬼胎的夺宝大戏上演。
城市大龄女孩躺躺爱上了快递员久小七, 正当他们打算步入婚姻殿堂时遭到了女方母亲薛婶的反对, 薛婶用房子作为条件逼久小七放弃自己女儿. 一对新人和薛婶玩起了各类战术. 薛婶无奈只能设局考验这个准“女婿”, 没想到久小七却没有按照薛婶的剧本走. 最终他没有买房, 没有彩礼便成功迎娶了躺躺……
卡拉在农村被称为“卡拉疯子”是由宋旭。业务是缓慢的,当唱卡拉OK唱旭岗位工作来促进销售,在20年初的一个女孩,河清的来临。她是个绝望的游戏迷,但很快她就开始使用一种特殊的策略来吸引顾客。然后那局,专业唱歌的助手坚持帮助她就像一个救世主,把悲惨的地方与她活泼的性格。就在他们准备走出阴影,他们也不知道在松镇的一个连环杀手在卡拉的东西后
农村青年辛天喜和张魁武在城里乐器商店买了一卡车西洋乐器回来,在村里引起轰动。但与辛天喜相爱的女乡长李春芳却反对他办农民管乐队,认为这是不务正业。辛天喜和乐队队员们进城看舞剧,想拜师学艺却被服务员逐出剧场。一群人恰好遇到歌舞团的指挥金声,金指挥不仅请他们观摩,还亲自来到乡下为他们作辅导。果农曲立新偷偷学吹小号,妻子李 素静看到丈夫整天与一帮青年男女混在一起,发生误会,跑去向李春芳告状。李春芳误以为乐队有问题,要辛天喜进行整顿。辛天喜不同意李的意见,两人关系陷入僵局。后乐队在乡运动会上演奏,受到广泛欢迎。记者们误以为李春芳是乐队的发起人和支持者,对她进行采访,李春芳逐渐改变了看法。这支农民乐队越办越红火,李春芳和辛天喜的感情也更加深厚。
胖女孩特蕾西(尼科尔·布朗斯凯 Nicole Blonsky 饰)生长在60年代的一个普通美国家庭。她迷上了一个电视选秀的舞蹈节目,并梦想能站到舞台上发光发亮。然而特蕾西的母亲,自小因为肥胖而缺乏自信,常常担心肥胖是特蕾西的绊脚石。不料特蕾西在节目中的出色表现,令她的前途顿时开阔。甚至大家对她的喜欢,胜过了本来非常得宠的艾姆伯小姐(布兰特妮·斯诺 Brittany Snow 饰)。 欢喜之余,特蕾西却迎来了事业的急剧转折。一方面,艾姆伯为了保住地位,不惜用尽卑劣手段力挽狂澜,甚至不惜勾引特蕾西的父亲,使得其家庭不和。另一方面,当时社会严格实行种族隔离,特蕾西还陷入了一场种族斗争之中,危险的形势随时会把她的事业前途毁于一旦。
阮绩智(张家辉 饰)是一位业界小有名气的编剧,刚刚夺得了最佳编剧奖,前途一片光明。事业丰收的他在情场上亦十分得意,女友雯雯(车婉婉 饰)美丽可人,两人之间感情十分要好。就在阮绩智踏上人生巅峰之时,一场突如其来的车祸让他顿时跌落谷底,他不仅失去了工作和女友,还失去了一条腿。 在阮绩智最失意的时刻,是温柔的护士辛迪(朱茵 饰)不离不弃的陪伴在他的身边,随着时间的推移,两个性格和经历大相径庭的人,最终走到了一起。然而,他们所要面对的前路却并不平坦,接连发生的意外和挫折让两人不禁开始怀疑,自己是否做出了正确的选择,真爱之下,一对有情人能否走到最后?
两个情同手足的少年,在这座城市一起长大。因为宿命使然,他们分道扬镳,其中一个要去外面闯荡,另一个则选择留下,于是在出发前晚,两人相聚一个小餐馆,约定二十年后的同一日期、同一时间,来到这里再次相会。 二十年后,桑晓遍体鳞伤的回到了原地,却发现小餐馆已经变成了十字路口,他在那里等了许久,遇到一个等夜班车的男子,两人聊起了二十年前的那个约定,让桑晓没有想到的是,这个男子就是约定好二十年后跟他再见的苏强。而更令人想不到的是,二十年的岁月磨洗,已经让桑晓变成了一个恶行昭彰的通缉犯,而苏强却成了一个正义无私的警察。兄弟二人重逢在十字路口,再次面临宿命的选择。