忍者通告

　　泼辣刁蛮的乡下妹何婉蓉因为拆迁的事，认识了大公子刘仲邦，刘仲邦对何婉蓉渐生爱意，一心想把她变成淑女娶入家门，并委托下属周显云去培训何婉蓉，谁知他们二人却萌发了爱意……

　　本片在2025年圣丹斯电影节一举拿下世界剧情片竞赛单元评审团特别奖（创作视野）和观众奖两项大奖。马其顿偏远村庄的15岁的牧羊少年沉醉于音乐世界，但在传统社会规则下，他必须面对来自周遭环境与父亲的质疑。某日放羊途中，他偶遇了一场大型的电子舞会，邂逅令他心动的女孩……导演乔治·M·温科夫斯基的长片首作试图探索集体期望与自我表达之间的微妙平衡。片中鲜活的色彩、诙谐的桥段、惹人怜爱的角色和韵律十足的音乐，为这个成长故事注入勃勃生命力。影片温柔且有力地回答了艺术如何成为精神避难所，又如何变为成长催化剂。

　　泰迪（吉恩·怀尔德 Gene Wilder 饰）经营着一家广告公司，生意十分的红火。泰迪拥有一位美丽的太太和一个可爱的小女儿，几乎可以算得上是模范中产阶级。然而一次偶然中，泰迪在停车场邂逅了一位名叫夏洛特（凯莉·勒布洛克 Kelly LeBrock 饰）的年轻女子，这匆匆的一瞥竟然让泰迪丢了魂。
　　令泰迪没有想到的是，不久之后，他竟然在自己的办公室与夏洛特重逢了。原来，夏洛特是一名模特，要和自己的公司合作拍摄一支广告。这场重逢令泰迪本就蠢蠢欲动的心再也按捺不住了，他对夏洛特展开了火热的攻势。公司里的职员们看到老板意乱情迷，自然都纷纷“拔刀相助”。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　某外企高管老郭（郭涛 饰）的婚姻进入七年之痒，一心扑在工作上的他和妻儿疏于交流，而事业也进入了困顿起。老实木讷的小编剧岳伦儿（王岳伦 饰）饱受欺凌，软弱无能，此刻也经历着来自家庭和事业的双重压力。英俊帅气的模特亮子（张亮 饰）奋力打拼却没有出头天，家庭琐事更令他不过气来。三个痛苦难耐的大男孩在田教练（田亮 饰）的建议下前往韩国参加一个名为“帝王假期”的旅游活动，谁知竟遭遇了国际大盗Jimmy Lin（林志颖 饰）的搅局。
　　没有放松，没有言语，只有险象环生、惊险刺激的各种冒险，性格各异的爸爸们在异国他乡夺路狂奔……

　　城市大龄女孩躺躺爱上了快递员久小七, 正当他们打算步入婚姻殿堂时遭到了女方母亲薛婶的反对, 薛婶用房子作为条件逼久小七放弃自己女儿. 一对新人和薛婶玩起了各类战术. 薛婶无奈只能设局考验这个准“女婿”, 没想到久小七却没有按照薛婶的剧本走. 最终他没有买房, 没有彩礼便成功迎娶了躺躺……

　　西蒙·佩吉饰演一个从儿童文学转向犯罪小说写作的作家杰克，为了写作一个名为《几十年的死亡》（Decades of Death）的剧本，天生胆小的杰克开始调查一些维多利亚时期连环杀手的资料，导致自己患上严重的妄想症，总是臆想自己会遭到谋杀。就在杰克生活搞得一团糟的时候，一个神秘的好莱坞片商却对他写出的剧本表示出极大的兴趣。

　　尼克（梅尔·吉布森 Mel Gibson 饰）是芝加哥一间广告公司的小经理，是个典型的大男子主义者。对于新来的女人上司达西（海伦·亨特 Helen Hunt 饰），他更是满腹牢骚。达西要求尼克设计出女性用品的创意广告，令达西分外头痛，一不留神，尼克在自家浴室中触了电，这次事故让他获得了一个神奇的本领——读心术。
　　有了这个意外的收获，尼克现在就能轻而易举的知道身边女人们的心事。他渐渐的沉迷于此，并惊奇地发现原来达西一直都对自己有好感。于是，尼克决定将计就计，利用达西的心事好好捉弄她一番，他千方百计接近达西，讨她欢心，却不知自己正在堕入情网。自从得知女人的内心世界，这个大男人终于领悟到她们的美丽，和水火不容的女上司共赴爱海。

　　这名小镇魔术师对足球毫无兴趣，但要想迎娶一生挚爱，他必须先带领当地球队闯进决赛。

　　阮绩智（张家辉 饰）是一位业界小有名气的编剧，刚刚夺得了最佳编剧奖，前途一片光明。事业丰收的他在情场上亦十分得意，女友雯雯（车婉婉 饰）美丽可人，两人之间感情十分要好。就在阮绩智踏上人生巅峰之时，一场突如其来的车祸让他顿时跌落谷底，他不仅失去了工作和女友，还失去了一条腿。
　　在阮绩智最失意的时刻，是温柔的护士辛迪（朱茵 饰）不离不弃的陪伴在他的身边，随着时间的推移，两个性格和经历大相径庭的人，最终走到了一起。然而，他们所要面对的前路却并不平坦，接连发生的意外和挫折让两人不禁开始怀疑，自己是否做出了正确的选择，真爱之下，一对有情人能否走到最后？

　　库马尔（库梅尔·南贾尼 Kumail Nanjiani 饰）出生在一个非常传统的巴基斯坦家庭之中，成年后，他选择成为了一名喜剧演员。在一场单口表演中，库马尔邂逅了名为艾米丽（佐伊·卡赞 Zoe Kazan 饰）的女孩，本以为的一夜激情竟然从暗夜蔓延到了白天，最终，他们发现彼此就是一直在寻找的另一半，两人走到了一起。
　　然而，库马尔的家人要求他遵循巴基斯坦包办婚姻的传统，为他相中了一个穆斯林女孩，催他回老家结婚。与此同时，一场诡异的怪病袭击了艾米丽，令她陷入了昏迷之中。库马尔选择和艾米丽的家人们站在一起，共同度过这难关，与此同时，他还要抵御来自自己父母的步步紧逼。

　　也是自导自演，精彩传神，不过是《发梦王大历险》现实版，对在地的我们更能悲喜入心脾。平庸男工作疏离，婚姻生活已无涟漪，周末野外跑是挪威振奋灵性的指定动作，那就起跑吧。带着内心独白，没有旁人眼睛，脑海没有审查，暴走两天。思绪很多三级，很多自恋，粗鄙也免不了。做只鼠做只鹰不要做老公！诅咒完人生，大自然叫他反省，旧事新愁，忽然有另种体会，再有出轨机会，人生轨道眼看要变了，可惜……旅程完了要回家，人像换了，又好像不，明天还会一样否？